Yabi is a controversial subcultural phenomenon active in China since 2019. Like the Western ‘hipster’, the yabi mash-up appropriation of styles from the ‘global supermarket of culture’ is deemed messy, superficial, and shamelessly middle class by mainstream critics. Through a historical analysis, this essay argues that the yabi exemplify the return of the feminine supernatural—present throughout imperial and modern Chinese history—as a response to the challenges of the Anthropocene from the present-day involuted generation.