Since the promulgation of the Charity Law of the People’s Republic of China in 2016, the relationship between the state and nongovernmental organisations (NGOs) in China has undergone profound changes. Drawing on fieldwork and an analysis of official policies and regulations, this essay argues that the positive term ‘charity’ has been strategically deployed by the […]
At a time when right-wing populism appears to be rampaging through global politics, studies about its discourses and strategies remain thin and even marginal in the field of international relations. This is especially true for authoritarian states where far-right discourses are not so much about electoral competitions as about regime legitimation. Chenchen Zhang’s new book, […]
One night during my fieldwork in 2019, I was hanging out with friends in Beijing. Shortly after we sat down at a street food hall, the waitress offered us some packets of hand wipes that were packaged like condoms (see Figure 1). Neither the English nor the Japanese text on the cover made sense. The […]
Drawing on the experience of a Chinese artist under the pseudonym ‘A’, this essay examines how leftist artists strive to reconstruct their political imaginary in this uncertain time. Central to A’s recent work is a dual impulse: first, the practice of international solidarity; second, a critical effort to decolonise the dominant political imaginaries within contemporary art. The essay argues that the legacies of grassroots Third World internationalism provide crucial intellectual resources through which A and other ‘artivists’ reproduce a leftist political imaginary in their artistic practice and social activities.
This essay rethinks the place of foreign Maoists in the People’s Republic of China through the case of Joan Hinton, one of the most prominent American supporters of the Chinese Revolution. Drawing on newly examined archival materials from her 1963 visit to Shanghai, it argues that Hinton’s position in Maoist China was defined by a structural duality: she was celebrated as an internationalist symbol yet governed as a foreign subject. The archives further reveal a deeper mismatch between what American Maoists understood as the socialist project—egalitarian reform, labour rights, everyday justice—and what the Chinese Communist Party prioritised: geopolitical alignment, diplomatic utility, and national security.
Jian Lin, Wilfred Yang Wang, and Ping Sun’s Chinese Platforms: A Critical Introduction (Polity Press, 2025) is one of the first English-language books to offer a systematic examination of Chinese digital platforms across technology, geopolitics, business, culture, gender, and labour. For decades, scholarship on Chinese platforms has been shaped by a dichotomy: either viewing them […]
This essay examines the rise and fall of Pity Party, a series of grassroots mental health art exhibitions that sought to challenge the individualisation and medicalisation of depression while creating dialogical, community-based spaces for healing. By tracing the exhibition practices across different stages between 2017 and 2025, the article highlights the political possibilities created by […]
This essay examines how a liminal state of uncertainty and disorientation shapes the trajectory of a trans-advocacy organisation in contemporary China. By situating the group’s current struggles within the tension between global humanitarianism and China’s ambivalent institutional support for trans people, it argues that this situation produces a unique structure of feeling that can be called ‘fragile optimism’. Drawing on ethnographic fieldwork, the author shows how the members of this organisation cultivate fragile optimism as an affective orientation to navigate political and cultural constraints.
In 2023, the Special Interest Group on Computer Graphics and Interactive Techniques (SIGGRAPH) conference and exhibition, held in Sydney, featured an interactive installation by Miu Ling Lam titled Erased Murmurs. The art piece drew attention to the ever-vanishing graffiti in the artist’s hometown, Hong Kong. In Lam’s description, Erased Murmurs centred on affective, sentimental poems […]
This essay examines how Chinese retail investors make sense of repeated stock market failures across generations. Drawing on ethnographic research, it analyses the recurring discourse of ‘defending the 3,000 points’ on the Shanghai Stock Exchange Index as a generational joke that reflects deeper temporal attachments to the market. I argue that intergenerational memories of loss do not necessarily discourage participation but instead reinforce it, as failures are reframed within the investors’ experience of improvement and narratives of national development. Through this process, disappointment is normalised
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