Before the enactment of the National Security Law, recordings of and artistic productions about the 2019 prodemocracy movement were thriving on Hong Kong’s streets, university campuses, in social media, the press, and the cultural sphere at large. Now that protests have almost disappeared from public space, and symbols and slogans are criminalised, what happens to the profuse and popular visual culture generated by the protests? This essay revisits the rapidly changing landscape of the visual culture of Hong Kong protests and examines how some of its components have been affected by political developments, leading to a shift in its regime of visibility.