In How Much of These Hills Is Gold (2020) and Land of Milk and Honey (2023), C. Pam Zhang explores Chinese diasporic subjectivities across shifting temporal and geographic terrains. Adopting a queer counter-perspective, she unsettles racist, classist, and heteronormative narratives of ‘Chineseness’, ‘manhood’, and ‘womanhood’ in nineteenth-century and contemporary Euro-American contexts. Using these two novels as examples, this essay traces the dialectic of self-representation and interpellation, the afterlives of transgenerational trauma, and the imbrication of aspiration with pleasure. It further elucidates how Zhang entwines debates on universal human rights amid anthropogenic catastrophe with an analysis of individual responsibility under transnational capitalism.