After Art: Precarity and Expulsion in Songzhuang

Wang Chunchen’s 2010 monograph on the changing role of art in Chinese society opens and ends with accounts of the forced resettlement of artists and the sudden demolition of their studios in Beijing’s Chaoyang District between December 2009 and February 2010. In what this prominent art critic and curator viewed as the continuation of a […]

The ‘Three-Body Problem’, the Imperative of Survival, and the Misogyny of Reactionary Rhetoric

Liu Cixin’s the Three-Body Problem book trilogy is one of the world’s bestselling Chinese sci-fi series, being read and endorsed by figures such as George R.R. Martin and Barack Obama. In Chinese public debates, however, critics highlight the series’ social Darwinist, misogynistic, and totalitarian tendencies, raising concerns about how the trilogy has been used by […]

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Concrete Sublime and Somatic Intensity

Visualising Water Engineering in Socialist China

During the 1950s, the construction of large-scale water engineering infrastructure emerged as a crucial undertaking for the socialist state. Thanks to the collaborative efforts of engineers, Party cadres, and workers, this monumental task brought about revolutionary transformations to the landscape of China. Concurrently, a multitude of artists were commissioned to visit these projects and capture their essence. By closely examining and analysing some of these works of art, this essay aims to highlight the profound technological grandeur and immense labour intensity expressed in them, while also shedding light on some of the aspects that remained invisible within the state-sanctioned visual representations of these projects.

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The Effable Worker

Notes on Italy's New Working-Class Literature

Locked in a shelter for the homeless on a weekend along with a few dozen vagrants, a young George Orwell was feeling the pangs of boredom. He had nothing to read, nothing to do, and could not even look outside since the windows were too high. He tried to listen to the general conversation, but […]

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Everyday Necro-Capitalism

One of the perks of being the son of an Italian railway worker is that, when I was younger, I could hop on and off any train I wanted without having to buy a ticket. Those were the days before high-speed trains, when Italy’s rail network mostly comprised ‘regional’ and ‘interregional’ trains, which moved very […]

Experiences of the Soul: On William Somerset Maugham’s Far Eastern Writings

William Somerset Maugham is probably one of the most commercially successful but least critically appreciated writers of the twentieth century. If today he is remembered mostly for his 1915 masterpiece Of Human Bondage and a few other outstanding novels, back in his time readers looked upon him as the cantor of the decadence of the […]

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Scholars and Spies: Experiences from the Soviet Union, Communist Romania, and China

In response to the renewed emphasis of the central government on national security, in November 2015 the authorities of Jilin province, in northeast China, introduced a hotline to report possible spies. The dilemma was how to recognise a spy. Local officials instructed concerned citizens to look out for eight revealing signs (Yang 2015). First, spies […]

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American Factory: Clash of Cultures or a Clash of Labour and Capital?

American Factory, a documentary released in 2019 by Netflix, has attracted attention in both America and China—even more so after it won the 2020 Academy Award for feature documentary. The film documents the attempts of the owner of the Fuyao Glass Company—an enterprise that supplies 70 percent of the windshields and windows for China’s automobiles—to […]

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Jiabiangou Elegy: A Conversation with Ai Xiaoming

Before retiring, Ai Xiaoming was a Professor in the Chinese Department at Sun Yat-sen University. She is also a feminist scholar, rights activist, and independent documentary filmmaker. In the 1980s and 1990s, Ai’s academic work focussed on modern and contemporary Chinese literature and comparative literature. In 1999, she moved to the United States for one […]

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