Jenny Man Wu is a practice-based researcher, filmmaker, and art-activist. Over the past 15 years, she has curated, produced, and created projects that integrate cultural activism with storytelling—from programming the Beijing Queer Film Festival to producing the film The Taste of Betel Nuts (Berlinale 2017) and initiating and directing the post-verbatim theatre work The Unheard Echoes. Her interdisciplinary work centres queer feminist perspectives from China and its diaspora across film, theatre, and curatorial practice.

Queer Festival Troubles

What the Beijing Queer Film Festival Reveals about Queer Subjectivity in Contemporary China

This essay explores the resilience of the Beijing Queer Film Festival (BJQFF) amid intensified cultural regulation and LGBTQIA+ repression in China. Using insider ethnography and recent scholarship, it contends that the BJQFF’s survival relies not on visibility or institutional expansion, but on adaptive organising strategies, guerilla tactics, decentralisation, and a minoritarian ethic of care. The festival embraces failure as a collective resource, transforming vulnerability into solidarity and creativity. Through disidentification and continuous improvisation, the BJQFF redefines what constitutes queer success, presenting an alternative model of endurance for grassroots activism under restrictions.

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